The Weeknd took Tampa, Florida to the darkest depths of the Las Vegas party scene during his haunting Super Bowl LV halftime program on Sunday night
Set at the Raymond James Stadium, the 30-year-old hitmaker appeared on phase in a drifting black convertible surrounded by flashing neon signs reminiscent of Sin City
Emerging from the vehicle, The Weeknd belted out the lyrics to his most infectious hits in front of a sequin-clad robo-choir and an ultra moody cityscape – situated high up in the stadium bleachers.
Dark depths: The Weeknd took Tampam Florida to the darkest depth of the Las Vegas party scene throughout his haunting Super Bowl LV half time reveal on Sunday night.
Sin City: Set at the Raymond James Arena, the 30-year-old hitmaker appeared on stage in a drifting black convertible surrounded by flashing neon indications reminiscent of Sin City.
Before diving into the tunes off his newest record After Hours, the Grammy Award-winner treated fans to renditions of his earlier hits, such as Starboy and The Hills.
The Weeknd, known for remaining in character, sported the sparkly red blazer and black shirt and pants that his After Hours modify ego has worn in every music video given that the album’s March 2020 release.
After saying the last string of lyrics from The Hills, the large cityscape behind The Weeknd opened and formed an extremely illuminated entry method for the star.
Recreating the images from his hypnotic Blinding Lights video, The Weeknd grabbed ahold of a portable video camera and taped himself singing in the middle of a bright, mirrored room located within the depths of the faux cityscape.
Minion madness: At the midpoint of his efficiency, The Weeknd was signed up with by a multitude of bandaged lookalikes, who performed curated dance moves alongside the megastar on the Raymond James Stadium field
Moody: Emerging from the vehicle, The Weeknd belted out the lyrics to his most infectious hits in front of a sequin-clad robo-choir and an ultra moody cityscape
The purposely jarring – and often nauseating – portable coverage recorded the disorderly nature of the tight knit quarters that The Weeknd was navigating through.
Aside from bulbs, there were also lit up arrows and different cursive words, like ‘Gone,’ ‘Nothing,’ and Feel,’ that illuminated the narrow course of funhouse mirrors.
The Weeknd then began to sing his 2018 blockbuster Can’t Feel My Face as he moved the electronic camera in and out from his wide-eyed face.
As he reached the chorus, The Weeknd was all of a sudden signed up with by a band of bandaged dancers, rocking his exact same specific ensemble, that started running into mirrors and one another as they followed the singer-songwriter blindly.
Sort of a huge offer: The Weeknd released his fourth studio album in March, titled After Hours, and reportedly climaxed for the most worldwide pre-adds in Apple Music history with more than one million users
Throwback: Prior to diving into the songs off his latest record After Hours, the Grammy Award-winner dealt with fans to renditions of his earlier hits, such as Starboy and The Hills
In character: The Weeknd, understood for remaining in character, sported the sparkly red sports jacket and black t-shirt and pants that his After Hours modify ego has actually donned in every video given that the album’s March 2020 release
Their heads were totally hidden with white gauze, which was a tribute to The Weeknd’s After Hours transformation, something he has displayed at socially-distanced award reveals throughout 2020.
The masked outlaws pushed The Weeknd around as he continued to easily sing the well known lyrics to Can’t Feel My Face, while starring directly into a steadicam.
With the turmoil coming to a stop for a quick minute, the Starboy hitmaker and his bandaged crew posed stoically with their hands at their sides, before resuming their vertigo-inspired regimen.
The cam, purposely losing track of the star of the program, zoomed past the crowd of The Weeknd doppelgängers, before the whole efficiency went back to the primary stage.
Spotlight: Separating him from the crowd, The Weeknd carried out beneath a dramatic spotlight during one portion of the show
Blinding lights: An intricate, neon cityscape functioned as the background for many of his performances
Transition: After saying the final string of lyrics from The Hills, the large cityscape behind The Weeknd opened up and formed a highly illuminated entry method for the star
The Weeknd, breathing greatly from adrenaline, reemerged and gazed out into the crowd in awe as the opening tune of I Feel It Coming played softly over the stereo.
Clearly captured up in the minute, the Canadian-born vocalist looked straight into the electronic camera and blurt a light chuckle before bringing the microphone to his mouth.
Fireworks blasted off from behind a megaboard at the arena as The Weeknd continued to break the 4th wall and address viewers at home with his look.
Hypnotic: Recreating the images from his hypnotic Blinding Lights video, The Weeknd grabbed ahold of a handheld cam and taped himself singing in the middle of a brilliant, mirrored space situated within the depths of the faux cityscape
Curated chaos: The deliberately jarring – and in some cases nauseating – handheld protection caught the chaotic nature of the tight knit quarters that The Weeknd was navigating through
Captivating: The Weeknd then began to sing his 2018 smash hit Can’t Feel My Face as he moved the video camera in and out from his wide-eyed face
Going into in his Save Your Tears part of the performance, The Weeknd’s neon-lit cityscape started to flicker as a rainy night sky appeared on a large screen behind it.
As the stress started to build, an entire orchestra emerged, with violins controling. They played the notes to The Weeknd’s sensual Fifty Tones Of Grey track Earned It.
With his bandmates blended amongst the two-dimensional skyscrapers, the former boyfriend fo Bella Hadid swayed backward and forward, his hands rocking leather gloves, as he said the track’s extremely honest lyrics.
Let ’em loose! As he reached the chorus, The Weeknd was unexpectedly joined by a band of bandaged dancers, rocking his same specific ensemble, that began running into mirrors and one another as they followed the singer-songwriter blindly
Tribute: Their heads were totally hidden with white gauze, which was a homage to The Weeknd’s After Hours improvement, something he has actually shown at socially-distanced award shows throughout 2020
Taking his performance to the field, The Weeknd’s bandaged outlaws provided a strangely robotic dance regimen, consisting of collaborated stomping and hand movements – total with intense handheld lights.
Storming out from under among the goals, The Weeknd reemerged and imitated his lookalikes’ dance relocations for the video cameras, while hyping up the audience in the stands.
Taking his lead single worldwide, the multi-talented artist enthusiastically performed Blinding Lights as fireworks blasted off and his dancers gyrated.
In the minute: The Weeknd, breathing greatly from adrenaline, reemerged and looked out into the crowd in awe as the opening tune of I Feel It Coming played gently over the stereo
Protocols in location: As for safeguarding players, entertainers, guests, and staff, from contracting the coronavirus, a source worried to Page 6 that ‘the amount of COVID-19 policy and safety protocols that have actually been set up [at the arena] boggles the mind’
On the move: Taking his efficiency to the field, The Weeknd’s bandaged outlaws provided a strangely robotic dance routine, including collaborated stomping and hand movements – complete with brilliant handheld lights
Blinding Lights: Taking his lead single global, the multi-talented artist enthusiastically carried out Blinding Lights as fireworks launched and his dancers gyrated
Storming out from under one of the goals, The Weeknd reemerged and mimicked his lookalikes’ dance relocations for the electronic cameras, while hyping up the audience in the stands
Reminiscent of past Super Bowl halftime shows, The Weeknd’s dance troupe carried out an integrated regimen – best scene from afar – as they quickstepped throughout the spacious football field.
They then started to circle the Save Your Tears hitmaker with their arms in the air and lights in their hands producing a hypnotic minute for audiences in the arena and in your home.
For the final minutes of Blinding Lights, The Weeknd peered into the cam at a high angle and gestured with his leather-clad hand.
Storming out from under one of the objectives, The Weeknd reemerged and mimicked his lookalikes’ dance moves for the video cameras, while hyping up the audience in the stands
Circle jerk: Reminiscent of previous Super Bowl halftime reveals, The Weeknd’s dance troupe performed a synchronized routine – best scene from afar – as they quickstepped throughout the large football field
All eyes on him: For the last moments of Blinding Lights, The Weeknd peered into the cam at a high angle and gestured with his leather-clad hand
His dancers kneeled on the grass, while the current Signboard coverboy relished in his moment of success with his arms held out in the air
The crowd cheered passionately as more fireworks burst from the megaboards on each side of the large stadium field, prior to the whole scene went black.
The Weeknd’s entire Super Bowl halftime program ran a little under thirteen minutes, with the singer carrying out no costume changes, unlike his female counter parts in years past.
Soon after wowing with his seven tune routine, The Weeknd ended up being the second trending subject on Twitter, except his birth name Abel declared the pattern rather of his well-known stage name.
In the weeks leading up to his legendary halftime show, The Weeknd a number of dropped hints about his performance, including that he paid out $7million of his own money for the enthusiastic endeavor.
This past Thursday, The Weeknd exposed he would be taking the stage solo, implying there would be ‘no unique visitors’ during his ‘phenomenal and historical’ halftime show.
Relishing: His dancers kneeled on the grass, while the current Billboard coverboy enjoyed in his minute of success with his arms in the air.
Grand finale: The crowd cheered passionately as more fireworks ruptured from the megaboards on each side of the large stadium field
He described that there just ‘wasn’t any space to fit [visitors] in the narrative of the story [he] was telling in the efficiency.’
‘ So yeah, there’s no unique guests, no,’ concluded the Grammy-winner, who spoke during the Pepsi Super Bowl LV Halftime Program Interview.
In another interview with Home entertainment Tonight, The Weekend described that his show would not occur on a phase in the middle of the field, however rather in the stands.
‘ Due to the COVID and the safety of the players and the workers, we sort of constructed the stage within the stadium,’ the singer said.
He added that his halftime program efficiency would also make use of the field, adding that he and his team ‘wanted to kind of do something that hasn’t been done prior to.’
‘ We’re incorporating a little bit, but once again you’ll have to enjoy on Sunday … the crowd here is crazy– they do not sing the lyrics back, they shriek them back at you. It’s such an experience, I enjoy Tampa. I feel comfortable,’ concluded the star.
While most halftime shows need 5,000 staffers for setup and breakdown alone, the coronavirus has altered production efforts, requiring styles to be downsized.
‘ It’s an overall of 1,000 individuals, and they can’t touch the field,’ an expert exposed to Page 6 recently.
‘ How do you manage a show that’s not on the field and is as impactful as it’s ever been with exact same level of entertainment?’
The source included: ‘Wait till you see it, it’s magnificently done. It’s various and it’s historical.’
Jay-Z, who started working with the NFL in 2019, and Roc Country are executive producing The Weeknd’s amazing halftime program, which happened LIVE at the Raymond James Stadium in Tampa Bay, Florida.
The Weeknd launched his fourth studio album in March, titled After Hours, and supposedly broke the record for the most global pre-adds in Apple Music history with more than one million users.
His enormously pop music, Blinding Lights, was likewise named the most streamed tune of 2020 by Spotify in spite of the artist being controversially snubbed with zero nominations from the Grammy Awards.
As for securing gamers, entertainers, attendees, and personnel, from contracting the coronavirus, a source worried to Page Six that ‘the amount of COVID-19 policy and security procedures that have actually been set up [at the stadium] boggles the mind.’
‘ They truly have an extraordinary system in place. Roger Goodell and the league have done a fantastic job.’
The Kansas City Chiefs, who took house the Lombardi Trophy last year, take on versus the Tampa Bay Buccaneers, who now boast Tom Brady as their team’s quarterback, throughout Super Bowl LV on Sunday night.
Prior to the start of the big game, Grammy-nominated artists Eric Church and Jazmine Sullivan provided a first of its kind rendition of the National Anthem.
Singing America The Beautiful was none other than singer-songwriter H.E.R.